Ludwig van Beethoven – Wikipedia. Ludwig van Beethoven (getauft. Dezember. 17. 70 in Bonn, Kurköln; † 2. März. 18. 27 in Wien, Kaisertum Österreich) war ein deutscher Komponist und Pianist. Er führte die Wiener Klassik zu ihrer höchsten Entwicklung und bereitete der Musik der Romantik den Weg. Die mittleren Wiener Jahre, vom Beethoven-Biographen Maynard Solomon als die „heroische Periode“ bezeichnet, sind, der Beeinträchtigung durch das Gehörleiden. Das Detmolder Kammerorchester besteht seit 1989. Die Orchestermusiker sind vorwiegend Leistungsträger und Absolventen der Hochschule für Musik Detmold. Knapp drei Wochen später, am 13. Dezember 1769, brach Mozart mit seinem Vater zu seiner ersten von drei außerordentlich erfolgreichen Italienreisen auf, die – mit. Hr-Bigband. Die hr-Bigband (Big Band des Hessischen Rundfunks in Frankfurt am Main) wurde 1946 als „Tanzorchester von Radio Frankfurt“ (dem späteren Hessischen. Zu Beginn seiner musikalischen Karriere machte sich Beethoven zunächst als Klaviervirtuose einen Namen. Zu seinen Stärken gehörte das freie Improvisieren und Fantasieren auf dem Instrument. Nach dem Umzug von Bonn nach Wien führte ihn sein Talent bald in die höchsten gesellschaftlichen Kreise der habsburgischen Metropole. Ein Gehörleiden, das sich im Laufe der Zeit zur völligen Taubheit verschlimmerte, setzte seiner Karriere als Pianist jedoch ein vorzeitiges Ende. Die Krankheit löste eine Krise aus, über die Beethoven 1. Heiligenstädter Testament Zeugnis ablegte. Obwohl zeitlebens ledig, pflegte Beethoven vielerlei Kontakte zu Frauen aus seinem Umfeld. Berühmt ist sein 1. Brief an die unsterbliche Geliebte, deren Identität bis heute nicht zweifelsfrei geklärt ist. Eine Kandidatin ist Josephine Brunsvik, deren Tochter Minona möglicherweise aus der Affäre mit Beethoven hervorging. Mit der Verschlechterung seines Gehörs konzentrierte sich Beethoven mehr und mehr aufs Komponieren. Während andere Komponisten ihre Werke oft schnell zu Papier brachten, rang Beethoven um jede Note. Immer wieder wurde nachgearbeitet und verbessert.[1] Aus seinem umfangreichen konzertanten Werk stechen insbesondere seine neun Sinfonien hervor. Daneben schuf er u. a. Klavierkonzerte, ein Violinkonzert, mehrere Ouvertüren, die Oper Fidelio, die Missa solemnis sowie eine Vielzahl kammermusikalischer Werke. Beethoven ist seinem Anspruch, ein bleibendes musikalisches Werk für die Nachwelt zu hinterlassen,[1] gerecht geworden. Seine Popularität ist ungebrochen, und heute gehört er zu den meistgespielten Komponisten der Welt.[2]Leben. Bonn (1. 77. 0–1. Herkunft und Familie. Ludwig van Beethovens väterliche Vorfahren stammten aus Mechelen im flämischen. Brabant. Mit seinem Großvater Ludwig van Beethoven (1. Musiker aus der Familie hervor. Dieser wurde 1. 73. Basssänger an den Kurfürstlichen Hof nach Bonn berufen, 1. Kurfürst Maximilian Friedrich zum kurkölnischen. Hofkapellmeister. Dessen Sohn Johann (* 1. November 1. 74. 0, † 1. Dezember 1. 79. 2) wurde Tenorsänger an der Hofkapelle und erwarb sich darüber hinaus Ansehen als Musiklehrer.[3] Am 1. November 1. 76. 7 heiratete Johann die früh verwitwete Maria Magdalena Leym geb. Keverich (* 1. 9. Dezember 1. Aus der Ehe gingen sieben Kinder hervor, von denen nur drei das Säuglingsalter überlebten: Ludwig, Kaspar Karl (getauft 8. April 1. Nikolaus Johann (getauft 2. Oktober 1. Die Geburt eines Bruders gleichen Namens Anfang April 1. Ludwig van Beethovens Verunsicherung über sein tatsächliches Alter bei. Als zweites Kind wurde Ludwig van Beethoven am 1. Dezember 1. 77. 0 in der damaligen St.- Remigius- Kirche getauft (die Kirche ist 1. St.- Remigius- Kirche an anderer Stelle). Geboren wurde er wahrscheinlich am 1. Dezember in der Wohnung der Familie im Haus Nr. 5. Haus Nr. 2. 0) in der Bonngasse. Obwohl Beethoven erst drei Jahre alt war, als sein Großvater am 2. Dezember 1. 77. 3 starb, verklärte er diesen zur Identifikationsfigur der Familie.[5]Ausbildung und Erziehung. Johann van Beethoven erkannte früh die außerordentliche Begabung seines Sohnes und sorgte für eine solide Musikausbildung, an der auch Kollegen der Hofkapelle mitwirkten: der Hoforganist Gilles van den Eeden, der Sänger Tobias Pfeifer, die Violinisten Franz Georg Rovantini und Franz Ries und andere. Johann van Beethovens Unterricht sind gewalttätige Übergriffe auf seinen Sohn überliefert.[6] Ob diese Berichte regelmäßige oder vereinzelte Vorfälle schildern, ist unklar. Im Alter von sieben Jahren trat Beethoven zum ersten Mal öffentlich als Pianist auf. Komponist und Kapellmeister Christian Gottlob Neefe die Nachfolge van den Eedens als Hoforganist an. Neefe erteilte Beethoven zeitweise Klavier- und Kompositionsunterricht und vermittelte die Veröffentlichung erster Klavierkompositionen: der Variationen über einen Marsch von Dressler Wo. O 6. 3 und der sogenannten Kurfürstensonaten Wo. O 4. 7. Ob ihm allerdings die herausragende Rolle als Lehrer Beethovens zukommt, die ihm in der Literatur zugeschrieben wurde, ist zweifelhaft.[7] 1. Beethoven Stellvertreter Neefes an der Orgel, zwei Jahre später erhielt er eine feste Anstellung als Organist. Darüber hinaus wirkte er als Cembalist und Bratschist in der Hofkapelle. Im Zusammenhang mit einer Neuorganisation der Hofmusik durch Maximilian Franz, den Nachfolger des verstorbenen Kurfürsten Max Friedrich, kam es 1. Bruch zwischen Beethoven und Neefe.[8]Beethovens Schulbildung ging über Grundlegendes wie Lesen, Schreiben und Rechnen kaum hinaus. Zusätzlich erhielt er aber zeitweise Privatunterricht in Latein, Französisch und Italienisch.[9] Geistige Anregung erhielt er darüber hinaus von Freunden aus Bonner Bürgerkreisen, besonders von dem Medizinstudenten und späteren Arzt Franz Gerhard Wegeler sowie von der Familie von Breuning, zu der Beethoven eine geradezu familiäre Beziehung pflegte. Die Freundschaft zu Wegeler und zu Stephan von Breuning dauerte trotz gelegentlicher Krisen lebenslang. Am Hof des Kurfürsten Maximilian Franz herrschte ein liberales Klima. Aufklärerisches Gedankengut wurde u. a. Kreisen des Illuminatenordens, einer den Freimaurern nahestehenden Geheimgesellschaft, gepflegt. Zahlreiche Hofmusiker waren Mitglied der Bonner Loge, Neefe stand ihr vor. Nach dem Verbot der Illuminaten 1. Bonner Mitglieder in der 1. Lese- und Erholungsgesellschaft. Durch den an der Bonner Universität lehrenden Eulogius Schneider kam Beethoven auch früh mit den Ideen der Französischen Revolution in Berührung.[1. Studienreise nach Wien. Neefe über Beethoven, er werde „gewiß ein zweyter Wolfgang Amadeus Mozart werden, wenn er so fortschritte, wie er angefangen“.[1. Bei Maximilian Franz, Kurfürst seit 1. Liebhaber der Musik Mozarts, traf diese Einschätzung auf fruchtbaren Boden. Ende Dezember 1. 78. Beethoven zu einer von Max Franz geförderten Reise nach Wien auf, um Kompositionsschüler Mozarts zu werden. Als Beethoven nach etwa dreimonatigem Aufenthalt die Rückreise antrat, unterbrach er diese mehrfach, um in Regensburg, München und Augsburg Station zu machen.[1. Im Mai 1. 78. 7 kehrte er nach Bonn zurück. Es ist nicht bekannt, ob es überhaupt zu einer Begegnung mit Mozart kam; für einen Unterricht durch das Vorbild fehlt jeder Beleg, und der Kurfürst zeigte sich von den Ergebnissen der Reise entsprechend enttäuscht.[1. Der Grund für das Scheitern des Plans ist unklar. Letzte Bonner Jahre und Abschied von Bonn. Zurück in Bonn traf Beethoven auf eine dramatisch veränderte familiäre Situation. Der Gesundheitszustand der an der „Schwindsucht“ erkrankten Mutter hatte sich in kritischer Weise verschlechtert. Sie verstarb am 1. Juli 1. 78. 7. Der Vater verlor zunehmend die Kontrolle über seinen ohnehin hohen Alkoholkonsum, sodass er schließlich nicht mehr in der Lage war, für seine drei Söhne zu sorgen. Dienst suspendiert, und Ludwig als ältestem Sohn wurde die Verfügungsgewalt über die Hälfte der Pension des Vaters erteilt, wodurch ihm faktisch die Rolle des Familienoberhauptes zufiel. Mitte September 1. Beethoven als Organist und Bratschist der Bonner Hofkapelle zu einem Generalkapitel des Deutschen Ordens nach Mergentheim. Die Reise der kurkölnischen Hofkapelle ging auf zwei Schiffen vonstatten, die über Rhein und Main bis Miltenberg fuhren. Beethoven, von seinen Freunden seines bräunlichen Teints und der schwarzen Augen wegen Spagnol genannt, agierte hierbei als Küchenjunge. Von Miltenberg ging es mit der Kutsche weiter nach Mergentheim, wo sich Beethoven bis Ende Oktober 1. Durch seinen Eintritt in den Deutschen Orden kam der aus Wien stammende Graf Ferdinand Ernst von Waldstein nach Bonn. Er wurde Beethovens erster adeliger Förderer, regte ihn zu Kompositionen an, so zur Musik zu einem Ritterballett Wo. Frankfurt | Musik. Alte Oper Frankfurt. Hinter der historischen Fassade des ehemaligen Frankfurter Opernhauses verbirgt sich einer der wichtigsten Konzertsäle, dessen Bedeutung weit über Deutschland hinausreicht. Hier erwartet den Konzertbesucher allabendlich ein hochkarätiges Programm mit Alter und Zeitgenössischer Musik, mit Klassik und Jazz und – im Sommer und zur Weihnachtszeit – mit weltweit erfolgreichen Musicals und Showproduktionen. Die international bedeutendsten Dirigenten, Solisten, Ensembles und Orchester waren und sind in der Alten Oper Frankfurt regelmäßig zu Gast – von Claudio Abbado zu Hans Zender, von Martha Argerich zu Frank Peter Zimmermann, von der Academy of St Martin in the Fields bis hin zu den Berliner Philharmonikern. Alte Oper Frankfurt. Opernplatz. 60. 31. Frankfurt www. alteoper. Jazz- Initiative Frankfurt am Main e. V. Die Jazz- Initiative Frankfurt am Main e. V. (JIF) wurde 1. Musikerinitiative gegründet – mit dem Ziel, für den Modernen Jazz in Frankfurt bessere Präsentationsmöglichkeiten zu schaffen, Frankfurter Musiker zu fördern, interessante Programme anzubieten und nationale wie internationale Musiker nach Frankfurt einzuladen. Die JIF veranstaltet ihre Konzerte im Club Voltaire, in der Romanfabrik, in Dr. Hoch’s Konservatorium und gelegentlich auch an anderen Spielstätten. Neu im Programm sind Jam- Sessions, die gemeinsam mit der Freitagsküche veranstaltet werden. Jährlich veranstaltet die Jazz- Initiative in Zusammenarbeit mit dem Kulturamt Frankfurt am Main das Rahmenkonzert zur Vergabe des Arbeitsstipendiums Jazz der Stadt Frankfurt am Main. Seit 2. 00. 3 findet „Jazz im Palmengarten“ mit sechs Open- Air- Konzerten unter der künstlerischen Leitung der JIF statt. Die von Werner Wunderlich gegründete Musikreihe findet seit 1. Sommer statt und gilt als die älteste kontinuierlich veranstaltete Jazz- Open- Air- Konzertreihe in Europa. Erklärtes Ziel der JIF ist es, den Jazz in Frankfurt zu stärken und ihn wieder mehr in der Öffentlichkeit zu präsentieren. Kontakt: Jazz- Initiative Frankfurt am Main e. V. Rendeler Straße 1. Frankfurt am Main. Telefon: (0. 69) 9. Telefax: (0. 69) 9. Jazz- Initiative. Frankfurt. am. Main. Die Fabrik. Das Anwesen in Sachsenhausen, Mittlerer Hasenpfad 5, gehört heute der im Jahr 2. Peter Paul und Emmy Wagner- Heinz Stiftung zur Förderung kultureller und sozialer Zwecke. Bis in die 1. 97. Jahre füllte die Firma Philipp Peter Heinz dort technische Öle ab. Heute befindet sich auf dem Gelände das Kulturzentrum „DIE FABRIK“ , zu dem der Verein „Kultur in der Fabrik e. V“ und das »Atelier Goldstein« der Lebenshilfe Frankfurt gehören. Ergänzt wird das Zentrum durch ein Restaurant mit mediterraner Küche, das auch musikalische Veranstaltungen durchführt. Die Veranstaltungen des Vereins „Kultur in der Fabrik“ finden im Gewölbekeller des im Jahr 1. Hauptgebäudes, der ehemaligen Ölfabrik, statt, das unter Denkmalschutz steht. Unser Kulturzentrum will das Kulturangebot des Stadtteils Sachsenhausen bereichern. Die Stiftung verfolgt künstlerische und soziale Zwecke u. Räumlichkeiten an die Vereine “Kultur in der Fabrik e. V.” (Hauptgebäude ehemalige Ölfabrik) und „Lebenshilfe für Menschen mit geistiger Behinderung e. V.“ (Remise). Das Hauptgebäude soll in den nächsten Jahren nach der Stiftungssatzung zu einer Spielstätte, insbesondere für die “Kammeroper Frankfurt”, ausgebaut werden, aber auch anderen Veranstaltern für musikalische, literarische und theatralische Projekte zur Verfügung stehen. DIEFABRIKMittlerer Hasenpfad 5. Frankfurt. Kartentelefon: 0. Mail: buero@die- fabrik- frankfurt. Gesellschaft der Musikfreunde Bad Soden e. V. Die Gesellschaft der Musikfreunde Bad Soden am Taunus ist ein gemeinnütziger Verein mit eigenem Chor und Orchester. Wir widmen uns der klassischen Musik im weitesten Sinne. Mit unserem Chor und unserem Streichorchester veranstalten wir drei Konzerte pro Saison, dazu zwei Gastkonzerte. Unsere Aktiven sind zum größten Teil versierte Laien- Musiker, die unter der Leitung unseres Künstlerischen Leiters, Franz Josef Staab, auf hohem Niveau musizieren. Für die Gastkonzerte engagieren wir talentierte, zumeist junge, preisgekrönte Solisten und Ensembles. Kulturpass- Inhaberinnen sind sind herzlich willkommen. Für sie steht ein limitiertes, kostenloses Ticket- Kontingent an der Abendkasse auf Nachfrage zur Verfügung. Die Abendkasse öffnet spätestens 4. Min. vor Konzertbeginn. Veranstaltungsorte sind der große Saal des Ramada- Hotels und die katholische Kirche St. Katharina in Bad Soden. Die Gastkonzerte finden im Theatersaal des Augustinums in Bad Soden- Neuenhain statt. Bigband Die hr- Bigband (Big Band des Hessischen Rundfunks in Frankfurt am Main) wurde 1. Tanzorchester von Radio Frankfurt“ (dem späteren Hessischen Rundfunk) gegründet. Anfänglich vorwiegend zur Produktion von Unterhaltungsmusik und zur Begleitung von Radio- und Fernsehshows eingesetzt, hat sich der Klangkörper seit den 1. Jahren zur Jazz- Bigband mit Schwerpunkt Konzerttätigkeit entwickelt. Mit ca. 5. 0 Konzerten pro Jahr deckt sie ein breites stilistisches Spektrum innerhalb des Jazz ab und wagt Grenzüberschreitungen zur Klassik, zu Pop, fremden Musikkulturen und Elektronik. Kulturpassinhaber. Innen bezahlen 1,0. Euro Eintritt. hr- Sendesaal. Bertramstraße 8 6. Frankfurt“(#Preise. Sinfonie)”: 2. 5- 0- Musik. Preise. Sinfoniehr- Sinfonieorchester Das hr- Sinfonieorchester, früher Rundfunk- Sinfonie- Orchester (RSO) Frankfurt, wurde 1. Sinfonieorchester des Hessischen Rundfunks. Es fühlt sich besonders der Förderung der zeitgenössischen Musik verpflichtet und eine Vielzahl von Kompositionen in Auftrag gegeben sowie zahlreiche bedeutende Werke uraufgeführt. Die Liste der Komponisten reicht von Béla Bartók bis Anton Bruckner, von Arnold Schönberg bis Elliott Sharp, von Hans Werner Henze bis Paul Hindemith, von Hans Zender bis Bernd Alois Zimmermann. Kulturpassinhaber. Innen zahlen 1,0. Euro (Kinder die Hälfte). Veranstaltungsort des “hr- Sinfonieorchester“ Alte Oper Frankfurt Opernplatz 1 6. Frankfurt bzw. Sendesaal. Bertramstraße 8. Frankfurt. DIEJUNGEDEUTSCHEPHILHARMONIEDASIMPULSORCHESTERDie Idee der Jungen Deutschen Philharmonie heißt Bewegung! Sich entwickeln, Neues wagen und den hohen musikalischen Anspruch mit Leidenschaft erfüllen! Mit dieser Intention fördert und fordert das Orchester junge Musiktalente auf ihrem Weg in die Zukunft, bietet Musikerlebnisse am Zeitgeist und sendet entscheidende Impulse. Für angehende Berufsmusiker ist die Junge Deutsche Philharmonie die entscheidende Ergänzung zum Hochschulstudium. Die Studenten erhalten eine qualifizierte Orchesterpraxis in Zusammenarbeit mit den renommiertesten Dirigenten, Solisten und Dozenten. Darüber hinaus entwickeln sie in verschiedenen Fachgremien und Themen- Workshops außermusikalische Kompetenzen, die in ihrem zukünftigen Berufsleben essentiell sein werden. Die Junge Deutsche Philharmonie kooperiert dabei mit Profiorchestern, Hochschulen und Experten verschiedenster Fachgebiete. Mit den talentiertesten Nachwuchsmusikern Deutschlands bildet das Orchester einen hervorragenden Klangkörper, der Konzerte auf höchstem Niveau bietet. Ein strenges Auswahlverfahren garantiert die dauerhaft hohe Qualität. Ehemalige Mitglieder der Jungen Deutschen Philharmonie sind in den Reihen aller großen Profi- Orchester zu finden und engagieren sich heute als Dozenten für den Nachwuchs. Bei Konzerten der Jungen Deutschen Philharmonie in Frankfurt am Main sind Kulturpassinhaber. Innen für 1,0. 0 Euro ( Kinder die Hälfte ) willkommen. In Ausnahmefällen ist dies (abhängig vom Ort der Veranstaltung) jedoch nicht möglich. Bitte beachten Sie die Ankündigungen in Aktuelles. Junge Kantorei. Die Junge Kantorei wurde 1. Joachim Carlos Martini gegründet. Sie ist mit zahlreichen Aufführungen barocker bis zeitgenössischer a- capella- Werke und Oratorien, begleitet durch namhafte Solisten und Instrumentalmusiker, zu einem Vokalensemble von internationalem Ansehen geworden.
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![]() Mining - Wikipedia. Sulfur miner with 9. Ijen Volcano (2. 01. Simplified world active mining map. Mining is the extraction of valuable minerals or other geological materials from the earth usually from an orebody, lode, vein, seam, reef or placer deposits. These deposits form a mineralized package that is of economic interest to the miner. Ores recovered by mining include metals, coal, oil shale, gemstones, limestone, chalk, dimension stone, rock salt, potash, gravel, and clay. Mining is required to obtain any material that cannot be grown through agricultural processes, or created artificially in a laboratory or factory. Mining in a wider sense includes extraction of any non- renewable resource such as petroleum, natural gas, or even water. I. EXECUTIVE SUMMARY. This is the strategic plan of the newly formed Division of Epidemiology and Prevention Research of the National Institute on Alcohol Abuse. In the search for extraterrestrial life, we look for planets at a similar distance from their sun as Earth is from ours: the so-called Goldilocks zone. Mining of stones and metal has been a human activity since pre- historic times. Modern mining processes involve prospecting for ore bodies, analysis of the profit potential of a proposed mine, extraction of the desired materials, and final reclamation of the land after the mine is closed. Mining operations usually create a negative environmental impact, both during the mining activity and after the mine has closed. Hence, most of the world's nations have passed regulations to decrease the impact. Work safety has long been a concern as well, and modern practices have significantly improved safety in mines. Levels of metals recycling are generally low. Unless future end- of- life recycling rates are stepped up, some rare metals may become unavailable for use in a variety of consumer products. Due to the low recycling rates, some landfills now contain higher concentrations of metal than mines themselves. History[edit]Prehistoric mining[edit]Since the beginning of civilization, people have used stone, ceramics and, later, metals found close to the Earth's surface. These were used to make early tools and weapons; for example, high quality flint found in northern France, southern England and Poland was used to create flint tools.[1] Flint mines have been found in chalk areas where seams of the stone were followed underground by shafts and galleries. The mines at Grimes Graves and Krzemionki are especially famous, and like most other flint mines, are Neolithic in origin (ca 4. BC). Other hard rocks mined or collected for axes included the greenstone of the Langdale axe industry based in the English Lake District. The oldest- known mine on archaeological record is the "Lion Cave" in Swaziland, which radiocarbon dating shows to be about 4. At this site Paleolithic humans mined hematite to make the red pigmentochre.[2][3] Mines of a similar age in Hungary are believed to be sites where Neanderthals may have mined flint for weapons and tools.[4]Ancient Egypt[edit]Ancient Egyptians mined malachite at Maadi.[5] At first, Egyptians used the bright green malachite stones for ornamentations and pottery. Later, between 2. BC, large building projects required expeditions abroad to the area of Wadi Maghareh in order to secure minerals and other resources not available in Egypt itself.[6] Quarries for turquoise and copper were also found at Wadi Hammamat, Tura, Aswan and various other Nubian sites on the Sinai Peninsula and at Timna.[6]Mining in Egypt occurred in the earliest dynasties. The gold mines of Nubia were among the largest and most extensive of any in Ancient Egypt. These mines are described by the Greek author Diodorus Siculus, who mentions fire- setting as one method used to break down the hard rock holding the gold. One of the complexes is shown in one of the earliest known maps. The miners crushed the ore and ground it to a fine powder before washing the powder for the gold dust. Ancient Greek and Roman mining[edit]Mining in Europe has a very long history. Examples include the silver mines of Laurium, which helped support the Greek city state of Athens. Although they had over 2.
Browse by Topic. Find books in subject areas that are of interest to you.Bronze Age predecessors.[7] At other mines, such as on the island of Thassos, marble was quarried by the Parians after they arrived in the 7th Century BC.[8] The marble was shipped away and was later found by archaeologists to have been used in buildings including the tomb of Amphipolis. Philip II of Macedon, the father of Alexander the Great, captured the gold mines of Mount Pangeo in 3. BC to fund his military campaigns.[9] He also captured gold mines in Thrace for minting coinage, eventually producing 2. However, it was the Romans who developed large scale mining methods, especially the use of large volumes of water brought to the minehead by numerous aqueducts. The water was used for a variety of purposes, including removing overburden and rock debris, called hydraulic mining, as well as washing comminuted, or crushed, ores and driving simple machinery. The Romans used hydraulic mining methods on a large scale to prospect for the veins of ore, especially a now- obsolete form of mining known as hushing. They built numerous aqueducts to supply water to the minehead. There, the water stored in large reservoirs and tanks. When a full tank was opened, the flood of water sluiced away the overburden to expose the bedrock underneath and any gold veins. The rock was then worked upon by fire- setting to heat the rock, which would be quenched with a stream of water. The resulting thermal shock cracked the rock, enabling it to be removed by further streams of water from the overhead tanks. The Roman miners used similar methods to work cassiterite deposits in Cornwall and lead ore in the Pennines. The methods had been developed by the Romans in Spain in 2. AD to exploit large alluvial gold deposits, the largest site being at Las Medulas, where seven long aqueducts tapped local rivers and sluiced the deposits. Spain was one of the most important mining regions, but all regions of the Roman Empire were exploited. In Great Britain the natives had mined minerals for millennia,[1. Roman conquest, the scale of the operations increased dramatically, as the Romans needed Britannia's resources, especially gold, silver, tin, and lead. Roman techniques were not limited to surface mining. They followed the ore veins underground once opencast mining was no longer feasible. At Dolaucothi they stoped out the veins and drove adits through bare rock to drain the stopes. The same adits were also used to ventilate the workings, especially important when fire- setting was used. At other parts of the site, they penetrated the water table and dewatered the mines using several kinds of machines, especially reverse overshot water- wheels. These were used extensively in the copper mines at Rio Tinto in Spain, where one sequence comprised 1. They were worked as treadmills with miners standing on the top slats. Many examples of such devices have been found in old Roman mines and some examples are now preserved in the British Museum and the National Museum of Wales.[1. Medieval Europe[edit]. Gallery, 1. 2th to 1. Germany. Mining as an industry underwent dramatic changes in medieval Europe. The mining industry in the early Middle Ages was mainly focused on the extraction of copper and iron. Other precious metals were also used, mainly for gilding or coinage. Initially, many metals were obtained through open- pit mining, and ore was primarily extracted from shallow depths, rather than through deep mine shafts. Around the 1. 4th century, the growing use of weapons, armour, stirrups, and horseshoes greatly increased the demand for iron. Medieval knights, for example, were often laden with up to 1. The overwhelming dependency on iron for military purposes spurred iron production and extraction processes. The silver crisis of 1. Although an increased use of bank notes, credit and copper coins during this period did decrease the value of, and dependence on, precious metals, gold and silver still remained vital to the story of medieval mining. Due to differences in the social structure of society, the increasing extraction of mineral deposits spread from central Europe to England in the mid- sixteenth century.
Celtic Myth and Moonlight || Cultural & Religious Symbols. Medicine wheels, or sacred hoops, were constructed by laying stones in a particular pattern on the ground. Most medicine wheels follow the basic pattern of having a center of stone(s), and surrounding that is an outer ring of stones with "spokes" or lines of rocks radiating from the center. One of the older wheels has been dated to over 4,5. Like Stonehenge, it had been built up by successive generations who would add new features to the circle. Due to the long existence of such a basic structure, archaeologists suspect that the function and meaning of the medicine wheel changed over time, and it is doubtful that we will ever know what the original purpose was. Some believe that some of the wheels had astronomical significance, where spokes on a wheel could be pointing to certain stars, as well as sunrise or sunset, at a certain time of the year, suggesting that the wheels were a way to mark certain days of the year. Some of the wheels mark the the Midsummer Solstice (longest day of the year). The idea that some Indigenous American and Canadian peoples engage the Medicine Wheel and associated rites to demonstrate the periodicity and cyclicality of nature, change, life, and lifecycles, interdependence, relationships and the mysterium magnum of the Earth and the universe, amongst other teachings, is one of the Western interpretations making American First Nations the "Other," supposedly more spiritual, to contrast with supposedly less spiritual "Us."In the Hopi Medicine Wheel of the Hopi prophesy of the four peoples of the Earth, the cardinal direction North represents the body, plants and animals, the color white and "white skinned peoples," and Childhood (can also represent birth, and/or meeting a stranger and learning to trust as in infancy). Indian Tribes and Languages of Mexico This is an index to the Native American language and cultural information on our website pertaining to Mexican tribes. The East is held to represent the mind, air, the color yellow and "yellow skinned peoples," learning the groups to which people belong and Adolescence. The South holds the heart, fire, the color red and "red skinned peoples," and Adulthood. ![]() A set of colourful letters suitable for display. Simply print and cut the letters you need and you are away. An essential! Apollo and the Greek Muses. Mythology, Legend, Folklore, & Ghosts. Updated July 2010. COMPREHENSIVE SITES ON MYTHOLOGY ***** The Encyclopedia Mythica - SEARCH - Areas. Lemuria. Lemuria, or Mu, is a mythical. continent that allegedly was located in the Pacific Ocean area or the Pacific Ring of Fire. Today we read about accelerating. Finally West holds the spirit, water, the color blue or black, and "black- skinned peoples" and Elderhood. West also represents the final life stage in the wheel, being an elder and passing on knowledge to the next generation so that the wheel may start again just like the circle it takes after. In many other tribes, however, the North corresponds to Adulthood (the White Buffalo), the South represents Childhood (the Serpent), the West represents Adolescence (the Bear) and the East represents Death and Re- birth (Eagle). Blog — Investment Masters Class. I recently read Creativity Inc, a book by Ed Catmull, who is co- founder of Pixar. Ed is a deep thinker, who after a two decade goal produced the first computer- animated feature film 'Toy Story'. Upon achieving this goal, and after recognising the missteps of other successful companies run by smart people, Ed devoted himself to the challenge of building a successful company with a sustainable creative culture that could outlast its founders. Most of the books I read have been recommended by the Investment Masters, and Creativity Inc is no different. I can't recall which Investor recommended it, but I have seen it on quite a few recommended reading lists over time. I thoroughly enjoyed the book and it's no surprise it's highly recommended, the parallels in thinking between Ed Catmull and the. Investment Mastersare striking. Successful investing after all, requires creativity.“We put great emphasis on a consistent investment process that demands enormous creativity, energetic sourcing, outside- the- box thinking, intellectual honesty, and vibrant debate” Seth Klarman “It’s imperative to be creative because a stock currently is selling at a price that the average investor thinks is the right price, so you have to come to a decision that that price is wrong and that the stock deserves to sell at a higher price for some reason. That reasoning is creative thinking because other people aren’t thinking that way because if other people were thinking that way, the stock would be at a higher price. Every idea is a creative idea.” Ed Wachenheim. Creativity Inc, provides insights into how to enhance creativity and develop a creative culture. In many ways, Ed Catmull reminds me of Ray Dalio of the world's largest and arguably most profitable hedge fund, Bridgwater Associates. Both Ed and Ray have developed cultures that require high levels of transparency, seeking multiple viewpoints and consistently testing ideas. You'll notice many of the quotes below could have as easily been spoken by Ray Dalio as Ed Catmull. It's probably no surprise that both Ed and Ray cite Einstein as one of their idols. One of my favourite books is "Einstein's Mistakes" .. Provide people with as much exposure as possible to what’s going on around them. Allowing people direct access lets them form their own views and greatly enhances accuracy and the pursuit of truth. " Ray Dalio"Albert Einstein [was a boyhood hero]. The Housing Bubble. Examining the home price boom and its effect on owners, lenders, regulators, realtors and the economy as a whole.I read every Einstein biography I could get my hands on as well as a little book he wrote on his theory of relativitiy. I loved how the concepts he developed forced people to change their approach to physics and matter, to view the universe from a different perspective. Wild- haired and iconic, Einstein dared to bend the implications of what we thought we knew. He solved the biggest puzzles of all, and in doing so, changed our understanding of reality" Ed Catmull. I've included some of the my favourite quotes below. Many of the sub- headings are topics from the Investment Masters Class tutorials [click on sub- headings to read tutorials]. TEAM DYNAMICS"The leaders of my department understood that to create a fertile laboratory, they had to assemble different kinds of thinkers and then encourage their autonomy""My world view, forged in academia, that any hard problem should have many good minds simultaneously trying to solve it""I've made a policy of trying to hire people who are smarter than I am""When it comes to creative inspiration, job titles and hierarchy are meaningless""The responsibility for finding and fixing problems should be assigned to every employee, from the most senior to the lowliest person on the production line""What is more valuable, good ideas or good people? Ideas come from people . To reiterate, it is the focus on people - their work habits, their talents, their lives - that is absolutely central to any creative venture""Find develop, and support good people, and they in turn will find, develop, and own good ideas"QUESTIONS"I've never stopped questioning""To foster a creative culture continually ask questions. Questions like : If we had done some things right to achieve success, how could we ensure that we understood what those were? Could we replicate them on our next project? Perhaps as important, was replication of success even the right thing to do?""What makes Pixar special is that we acknowledge we will always have problems, many of them hidden from our view, that we work hard to uncover these problems, even if it means making ourselves uncomfortable""Mistakes are part of creativity""Mistakes aren't a necessary evil. They aren't evil at all. They are an inevitable consequence of doing something new (and, as such, should be seen as valuable; without them, we'd have no originality)""Failure is a manifestation of learning and exploration. If you aren't experiencing failure, then you are making a far worse mistake: You are being driven by a desire to avoid it""In a fear- based culture, people will consciously or unconsciously avoid risk. They will seek instead to repeat something safe that's good enough in the past. Their work will be derivative, not innovative. But if you can foster a positive understanding of failure, the opposite will happen""Iterative trial and error - has long- recognized value in science. 1. Executive summary. The first duty of government is to protect economic and national security, thereby allowing the government to extend opportunity for working. The buildings are known as Met Paca I and Met Paca II, and operate under a Section 8 rent subsidy contract with HUD. The new owner will continue to maintain the. ![]() 1. Introduction. The interaction of asset price bubbles with the banking system and the real economy is important for understanding boom–bust cycles. Essentials of Case Management Key Benefits: Over 30 Hours of ANCC and CCMC accredited material for nurses and certified case managers; Unlimited access to the course. The Researching And Teaching Communication SeriesMedia and Communication Studies Interventions and Intersections. All of this Steinbach posting has put me in a New Jersey mood lately. Malls are as synonymous with New Jersey as Bruce Springsteen, so there's plenty of neat. When scientists have a question, they construct hypothesis, test them, analyze them, and draw conclusions - and they they do it all over again. The reason behind this is simple. Experiments are fact- finding missions that, over time, inch scientists towards greater understanding. That means any outcome is a good outcome, because it yields new information""There are two parts to any failure: there is the event itself, with all its attendant disappointment, confusion and shame, and then there is our reaction to it. It is the second part we can control""Failure gives us chances to grow, and we ignore those chances at our own peril""We get worried if a film is not a problem child right away. It makes us nervous" "Discussing failure and all its ripple effects is not merely an academic exercise. We face it because by seeking better understanding, we remove barriers to full creative engagement""Companies, like individuals, do not become exceptional by believing they are exceptional but by understanding the ways in which they aren't exceptional. Post- mortems are one route into that understanding""The key to solving problems is finding ways to see what's working and what isn't, which sounds a lot simpler than it is""The most compelling mechanisms [we follow] are those that deal with uncertainty, instability, lack of candor and the things we cannot see. I believe the best managers acknowledge and make room for what they do not know - not just because humility is a virtue but because until one adopts that mindset, the most striking breakthroughs cannot occur""The more time you spend mapping out an approach, the more likely you are to get attached to it. The nonworking idea gets worn into your brain, like a rut in the mud. It can be difficult to get free of it and head in a different direction""There is nothing quite as effective, when it comes to shutting down alternative viewpoints, as being convinced you are right"IDEAS"Our job is to protect our [new ideas] from being judged too quickly. Our job is to protect the new.”"At too many companies, the schedule (that is the need for product) drives the output, not the strength of the ideas at the front end""If someone disagrees with you, there is a reason. Surely Nothing but Satan Himself Could Explain This European Heat Wave Named 'Lucifer'A devastating heat wave surging through southern Europe has earned the unofficial moniker of “Lucifer,” according to several news reports this weekend. Things over there do seem pretty bad, real bad, bad enough there that the only logical conclusion is Satan danced down there himself, possibly with a fiddle, and played a song which cursed the very winds themselves with the tunes of brimstone and ruin after somebody lost a bet. At least two people died over the course of the heat wave, which caused temperatures to spike as high as 4. Celsius (1. 11 Fahrenheit) in southern Spain and 4. Celsius (1. 04 Fahrenheit) in the French Riviera, per the New York Times. Temperatures were forecast as high as slightly over 4. Celsius (1. 08 Fahrenheit) in mainland Greece. According to Agence France- Presse, local conditions in Italy’s Campania region caused temperatures to feel much higher, around 5. Celsius (1. 31 Farenheit). Surging electrical demand in Poland caused the government to warn of “possible infrastructure failures” and disperse staff early. Train tracks in southern Serbia warped, the Romanian government urged Bucharest residents to stay indoors and an Italian drought which has already cost over $1 billion dragged on. Per Reuters, the Italian grape harvest started weeks early, with Slow Food movement leader Carlo Petrini telling La Stampa he had never heard of it ever starting before August 1. Reuters also reported 3. Serbia, Bosnia, Macedonia and Croatia. While the Times reported two deaths, AFP reported as many as five, with hospital admissions in Italy running 1. It’s almost enough to make one wonder if this heat wave could be correlated with all those other heat waves across the world, or the inexplicable trend of the planet breaking global heat records on a regular basis. Maybe there’s some kind of thing that we, humans, are pumping into the atmosphere that causes it to retain more heat, perhaps making said events more likely. Hmm. But since no such theory, perhaps of so- called global climate “change,” has been devised or vetted by the vast majority of climate scientists, we’re just going to have to hand it to the devil on this one and guess the thing we are pumping into the atmosphere is sin. Curse you, Lucifer![New York Times]. Kilauea; Mount Etna; Mount Yasur; Mount Nyiragongo and Nyamuragira; Piton de la Fournaise; Erta Ale. ![]() Forex Margin Call Explained - babypips.com www.babypips.com/./margin-call-exemplified.html Learn what a margin call is in forex trading and watch how quickly you. Another excellent post, Caldor! 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I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form'd from this soil, this air. Born here of parents born here from parents the same, and their.
I, now thirty- seven years old in perfect health begin. Hoping to cease not till death. Creeds and schools in abeyance. Retiring back a while sufficed at what they are, but never forgotten. Welcome to Old Children's Books, selling children's literature and picture books online since 1994. We have a collection of more than 10,000 scarce and out-of-print. Biography Early life. James Henry Leigh Hunt was born at Southgate, London, where his parents had settled after leaving the United States. His father Isaac, a lawyer. I harbor for good or bad, I permit to speak at every hazard. Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it. The distillation would intoxicate me also, but I shall not let it. The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact with me. The smoke of my own breath. Echoes, ripples, buzz'd whispers, love- root, silk- thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing. The sniff of green leaves and dry leaves, and of the shore and. The sound of the belch'd words of my voice loos'd to the eddies of. A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields. The feeling of health, the full- noon trill, the song of me rising. Have you reckon'd a thousand acres much? Have you practis'd so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of. You shall possess the good of the earth and sun, (there are millions. You shall no longer take things at second or third hand, nor look through. You shall not look through my eyes either, nor take things from me. You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the. But I do not talk of the beginning or the end. There was never any more inception than there is now. Nor any more youth or age than there is now. And will never be any more perfection than there is now. Nor any more heaven or hell than there is now. Urge and urge and urge. Always the procreant urge of the world. Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learn'd and unlearn'd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical. I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen. Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be. I am satisfied- -I see, dance, laugh, sing. As the hugging and loving bed- fellow sleeps at my side through the night. Leaving me baskets cover'd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead? Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill- doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side- curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with. I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turn'd over upon me. And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heap'd stones, elder, mullein and. A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt. Bearing the owner's name someway in the corners, that we may see. Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass. It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out. And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women. And the hints about old men and mothers, and the offspring taken. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere. The smallest sprout shows there is really no death. And if ever there was it led forward life, and does not wait at the. And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses. And to die is different from what any one supposed, and luckier. Has any one supposed it lucky to be born? I hasten to inform him or her it is just as lucky to die, and I know it. I pass death with the dying and birth with the new- wash'd babe, and. And peruse manifold objects, no two alike and every one good. The earth good and the stars good, and their adjuncts all good. I am not an earth nor an adjunct of an earth. I am the mate and companion of people, all just as immortal and. They do not know how immortal, but I know.). ![]() Song of Myself. Won't you help support Day. Poems? 1. 81. 9- 1. I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you. I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form'd from this soil, this air. Born here of parents born here from parents the same, and their. I, now thirty- seven years old in perfect health begin. Hoping to cease not till death. Blood of the Falcon, Volume 2 book download Court Ellyn Download Blood of the Falcon, Volume 2. There are six books in total, each simply subtitled Volume 1. Weber Health Assessment in Nursing 4E & Lippincott's DocuCare Package book download Janet R. Weber Download Weber Health Assessment in Nursing 4E & Lippincott's. 1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul. Creeds and schools in abeyance. Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard. Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it. The distillation would intoxicate me also, but I shall not let it. 9781934625736 1934625736 Struggle, Christopher Trevor 9781436790338 1436790336 Blake Family - A Genealogical History of William Blake, of Dorchester, and His. Job Interview Practice Test Why Do You Want This Job? Answer this job interview question to determine if you are prepared for a successful job interview. 9780528872679 0528872672 Northwest Shelby County Al, Champion Maps 9781581334142 1581334141 The Law and Martial Arts, Volumes 1-5, Carl Brown 9780736876377 0736876375. For anyone considering switching to Saxon Math from another math curriculum, we recommend printing a free copy of a Saxon Math placement test. There are five. The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact with me. The smoke of my own breath. Echoes, ripples, buzz'd whispers, love- root, silk- thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing. The sniff of green leaves and dry leaves, and of the shore and. The sound of the belch'd words of my voice loos'd to the eddies of. A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields. The feeling of health, the full- noon trill, the song of me rising. Have you reckon'd a thousand acres much? Have you practis'd so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of. You shall possess the good of the earth and sun, (there are millions. You shall no longer take things at second or third hand, nor look through. You shall not look through my eyes either, nor take things from me. You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the. But I do not talk of the beginning or the end. There was never any more inception than there is now. Nor any more youth or age than there is now. And will never be any more perfection than there is now. Nor any more heaven or hell than there is now. Urge and urge and urge. Always the procreant urge of the world. Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learn'd and unlearn'd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical. I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen. Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be. I am satisfied- -I see, dance, laugh, sing. As the hugging and loving bed- fellow sleeps at my side through the night. Leaving me baskets cover'd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead? Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill- doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side- curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with. I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turn'd over upon me. And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heap'd stones, elder, mullein and. A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt. Bearing the owner's name someway in the corners, that we may see. Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass. It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out. And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women. And the hints about old men and mothers, and the offspring taken. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere. The smallest sprout shows there is really no death. And if ever there was it led forward life, and does not wait at the. And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses. And to die is different from what any one supposed, and luckier. Has any one supposed it lucky to be born? I hasten to inform him or her it is just as lucky to die, and I know it. I pass death with the dying and birth with the new- wash'd babe, and. And peruse manifold objects, no two alike and every one good. The earth good and the stars good, and their adjuncts all good. I am not an earth nor an adjunct of an earth. I am the mate and companion of people, all just as immortal and. They do not know how immortal, but I know.). These are all very good, but do you have any book codes? (Maze of Bones, The Sword Thief, ect.) Particularly: The Sword Thief, Beyond the Grave. This is the list of fictional and non-fictional characters who appeared in The 39 Clues franchise. They may appear in The 39 Clues books and audiobooks, cards, or the. The Lost Girls of Panama: The Full Story The mysterious deaths of two young tourists in Panama puzzled examiners and shocked nations on both sides of the Atlantic. Featured Posts. Welcome to Camp Disney Family. 5 Tips for a Day at the Disneyland Resort with your Toddler. How to Have an aDORYable Summer. Disney Crafts and Recipes. Infinity Ring is a time-travel adventure book series, online game, and mobile app for children, masterminded by James Dashner. Join the quest to save history. Sakura Uchiha (うちはサクラ, Uchiha Sakura, née Haruno (春野)) is a kunoichi of Konohagakure. When. Shop Target for games & puzzles you will love at great low prices. Free shipping on orders $35+ or free same-day pick-up in store. The 3. 9 Clues: Card Codes. G6. 9GXC6. M9. T 4. A: Bookworm With Attitude G6. KDKD4. 9T 4. 01 A: The Wannabe Ninja G6. JT2. RM9. T 4. 02 A: The Pint Sized Assassin G6. J7. X9. H9. T 4. 03 A: Clue Hunter's Best Friend G6. CTWHC9. T 4. 04 S: Spy Kit G6. CKR3. K9. T 4. 05 S: Surveillance G6. DMK9. 29. T 4. 06 S: Agent Training G6. GJPMM9. T 4. 07 S: The Underdogs G6. ![]() HJP9. G9. T 4. 08 S: The Spaz G6. H2. 9K9. 9T 4. 09 S: Spy Training G6. D2. 23. 69. T 4. 10 S: Natalie's Strategy G6. JWR2. 49. T 4. 11 S: Spy Photo G6. D2. X9. N9. T 4. 12 A: The Pit Bull G6. K3. JP9. 9T 4. 13 A: The Wannabe Ninja G6. JTFHR9. T 4. 14 A: Clue Hunter's Best Friend G6. GJ9. TF9. T 4. 15 A: The Pint- Sized Assassin G6. GF9. HN9. T 4. 16 A: Bookworm with Attitude G6. The official website of the City of New York. Find information about important alerts, 311 services, news, programs, events, government employment, the office of the. Login to play and explore The 39 Clues fantasy game. G6. DTM9. T 4. 17 S: The Shadow G6. KD9. 7K9. T 4. 18 A: The Clue Fetcher G6. FF2. 2C9. T 4. 19 A: Librarian in Training G6. FN4. KK9. T 4. 20 A: Tokyo Dan. Thumb Code # Title G6. HJ3. 7R9. T 4. 21 A: The Unreliable Uncle G6. D4. X4. P9. T 4. 22 A: Arctic Holt n/a 4. S: The Hunted G6. D9. CT3. 9T 4. 24 A: Ninja Dweeb G6. KC9. GH9. T 4. 25 A: The Secret Weapon Lucian. Clue 4. 26 A: Undercover Cahills Hope. Cahill 4. 27 L: The Embassy The. Tickets 4. 28 S: Airline Tickets Guidebook. L: The Frozen Road August. S: Scrambled Cities ARROW4. CODE 4. 31 S: The Clue Hunter (playtheapp) 4. S: Madrigal Maze MANINBLACK 4. S: Madrigal Down Under CROSSHAIRS 4. S: The Nobody SURVIVAL3. S: The Targets MADRIGAL3. S: The Long Shots BN3. E 4. 38 S: The Madrigal Pawns BN1. E 4. 39 S: Secret Agent Saladin BN4. E 4. 40 S: Spy Teddy Bear BN9. E 4. 41 S: Book Store Bling YOURCHOSEN 4. A: Spy Dolphin G6. CHCG2. 9T 4. 46 A: The Stylish Agent G6. K9. XGX9. T 4. 47 A: The Overachiever Spy. P2. FGD6. 4NXP this is a exclusive code everyone CAN SOMEONE TELL ME WHAT BOOK CODES ARE FOR??? My 3. 9 Clues Blog. Book One Code is - ANNE CAHILL DID NOT DROWNBook Two Code is - LOOK TO INDIABook Three Code is - THIS COMPETITION IS ABOUT HOPEBook Four Code is - ALISTAIR WAS THERE THE NIGHT THEY DIEDBook Five code is - Book Six Code is - FIND THE OTHER EKATERINA SCIENTIST WHO CAME TO CLOSEBook Seven is called the Vipers Nest. Here are some other card codes. Card 1 : Surveillance Camera - 2. GF4. X6. KX2 Card 4. Bookworm with an attitude - G6. GXC6. M9. T,Card 4. The Wannabee Ninja - G6. KDKD4. 9T,Card 4. Pint Sized Assassin - G6. JT2. RM9. T,Card 4. Clue Hunters Best Friend - G6. J7. X9. H9. T,Card 4. The Spy Kit - G6. CTWHC9. T, Card 4. Surveillance - G6. CKR3. K9. T, Card 4. Agent training - G6. DMK9. 29. T, Card 4. The Underdogs - G6. GJPMM9. T,Card 4. The Spaz - G6. 9HJP9. G9. TCard 4. 09 : Spy Training - G6. H2. 9K9. 9TCard 4. Natalie's Strategy - G6. D2. 23. 69. T,Card 4. Spy Photo - G6. 9JWR2. T,Card 4. 12 : The Pit Bull - G6. D2. X9. N9. T,Card 4. Ninja Boy - G6. 9K3. JP9. 9T,Card 4. 14 : The Pup - G6. JTFHR9. T,Card 4. The Smallest Assassin - G6. GJ9. TF9. T,Card 4. The Bookworm - G6. GF9. HN9. T,Card 4. The Shadow - G6. 9G6d. TM9. T,Card 4. 18 : The Clue Fetcher - G6. KD9. 7K9. T,Card 4. Librarian in training - G6. FF2. 2C9. T,Card 4. Tokyo Dan - G6. 9FN4. KK9. T, Card 4. 21 : The Unreliable Uncle - G6. HJ3. 7R9. T,Card 4. Arctic Holt - G6. D4. X4. P9. T,Card 4. The Hunted - ??????????,Card 4. Ninja Dweeb - G6. D9. CT3. 9T,Card 4. The Secret Weapon - G6. KC9. GH9. T ,Card 4. Undercover Cahill - LUCIANCLUE,Card 4. The Embassy - HOPECAHILL,Card 4. Airline Tickets - THETICKETS,Card 4. The Frozen Road - GUIDEBOOK1,Card 4. Scrambled Cities - AUGUST1. Card 4. 31 : The Clue Hunter - ARROW4. CODE,Card 4. 32 : Madrigal maze - ??????????,Card 4. Madrigal Down Under - MANINBLACK,Card 1. Desert. Squall. 1 - P2. DTMN4. WXP,Card 1. Platinum. Secret. P2. 22. 23. 29. XP,Card 1. Clever. Cobra. 2 - P2. F6. XP ,Card 1. 07. Artistic. Solver. P2. 22. 4RTNXP, Card 1. Going. Surprise. 1 - P2. TJXP, Card 1. 24. Nebula. Amber. 1 - P2. HG3. DXP, Card 1. Infiltrate. Madrigal. P2. 22. JCDHXP, Card 1. Intelligence. Agent. P2. 22. MR4. HXP, Card 1. Crimson. Dagger. 1 - P2. NDCFXP,Card 1. 44. Storm. Butterfly. P2. 22. WJFRXP, Card 1. Platinum. Llama. 1 - P2. RPDNXP, Card 1. 46. Madrigal. Operative. P2. 22. XK7. HXP, Card 3. Resistance. Writer. P2. 27. FP9. PXP, Card 3. Blue. Classified. P2. 27. NWXJXP, Card 7. Decoctingjet. 5 - P2. NXXD7. XP, Card 8. Commando. Castle. P2. 2RJFWKXP, Card 8. Hidden. Specialist. P2. 2T3. 9HTXP, Card 8. Intelligence. Decoy. P2. 2TDFKKXP, Card 7. Decoding. Chasing. P2. FGD6. 4NXP, If anyone has any more info please comment. Here is some info about the other books. Ian Kabra | The 3. Clues Wiki. Ian Kabra and his sister Natalie Kabra make up one of the first teams in the Clue Hunt - Team 1 as they were the first to step forth to accept the challenge - for The 3. Clues. His family were the leaders of the Lucian Branch. He was fourteen years- old in the original Series 1, but is sixteen years- old in Series 2, both times the same age as Amy Cahill. Ian is described in the 3. Clues books as being extremely good- looking. He has tan skin, amber eyes, and silky black hair. He has a British accent and dresses in fine clothing, notably Armani, Prada, and Ralph Lauren suits and other designer wear. He often acts older than his current age, but sometimes he can be immature. Ian Kabra is Natalie Kabra's older brother, and presumes he is also in charge of her. Despite his snobbish attitude, he knows how the world once saw him and actively makes attempts to change this in the later books. He always tried to please his mother, until he realized what kind of a person his mother was. Family. Appearances. Isabel Kabra sends Ian and Natalie Kabra to steal the snowglobe with Paul Revere's engagement ring in Grace's mansion during her annual Christmas party. However, they fail and are foiled unintentionally by Amy and Dan Cahill. In Ian's first appearance in the book, he accepted the challenge of finding the 3. Clues. Later, in the catacombs, he was on the hunt of a lead with his sister. They attempted to knock out Amy and Dan with a dart gun, but Alistair Oh tackled them and gives the Cahill siblings enough time to escape. Later, Ian tricked Amy into thinking that he poisoned her brother Dan and that only he has the antidote. Amy gave him the lead with the hope of getting the "antidote" and Ian escaped. Ian and Natalie captured Amy and Dan on their yacht in Venice and tried to get their lead. When they realized that the Cahills did not have the lead with them, the Kabras attempted to dispose of the Cahill siblings. Later, he and Natalie hold Dan and Amy hostage in Fidelio Racco's house. Ian played a certain piece composed by Mozart, thinking that it will lead him to the Clue since they found out that Amy and Dan looked it up and figured out the clue through the Internet. The piece that the Kabras received, however, was different from the genuine one that the Cahills had. It contained a false note designed to trigger a bomb in the harpsichord. The harpsichord on which Ian played the piece exploded because of the bomb, and the Kabras were rendered unconscious. Ian suggested that he and his sister, Natalie, form an alliance with Amy, Dan, and Alistair Oh. They accept, and the five worked together, tracing the clues to a man named Toyotomi Hideyoshi. Throughout the alliance, Ian and Amy appeared to be falling for one another, but that ends when he and Natalie betray Amy and Dan by leaving them in a cave, after Dan falsely told them that the lead pointed to Lake Tash, in Kyrgyzstan, when they should have gone to Egypt, which is why they were later absent from Book 4. This reference also appears in Mission 4. Afterwards, Amy had a hard time forgetting Ian, and there are hints that he appears to have genuine affection for her. In this mission, Ian and Natalie Kabra went to Kyrgyzstan to find the supposed "Clue" in Lake Tash. They rented a hotel in Bishkek, the capital of Kyrgyzstan. The bellboy called them "terrible children" when later inquired. In their hotel room, they had written "Flight to Budapest" and than later erased it. In Mission Four, you get to meet Ian and Natalie. In the mission, Ian said he wanted to see the Crown of St. Stephen. When you ask him why, he says, "Oh, um, nothing. It's just, um . . Too old, actually. It's probably covered in . In fact, I probably won't go see it at all." He also revealed they are monitoring the area when talking. In the same paper that they wrote "Flight to Budapest", you can see in the corner "Ian+Amy" inside a heart, which later was crossed out). Ian makes multiple appearances in this book, including a time where he attempts to "reconcile" with Amy and Dan, only to be kicked in the shin by Amy. He also competes with the Holts and Amy and Dan (who are in alliance at this point) and loses leads to them, several times. Ian Kabra was on the boat when Isabel threatened to feed Amy to the sharks. When Ian and Isabel are in the airport Ian says "They're asking for it, Heaven forbid they listen to the brains of the outfit.." "And that would be?" Isabel said. Well, the sister, Amy.." 'He felt a smile creeping upon his face' is what the book says, then his mother asks him about it and he says he blushes. In addition, Ian was very concerned about the green liquid he snatched from Amy and Dan in the first book. He was nervous when his mother wanted to give it to Amy and Dan. Ian and Natalie kidnaps Dan and grills him for information. Then he is seen climbing up Mount Everest on a pack of sherpas. Ian nearly falls of the mountain, but Amy saves him, sacrificing the Janus serum for him. Just like the other competitors, he also gave his clues to save his loved ones. Earlier on, he discovered that Hope and Arthur Trent were murdered by his mom (Isabel Kabra.). In The Black Book of Buried Secrets it is said that Ian took over his parents' art business. With Vikram and the other major Lucian leaders in hiding, it is possible that Ian, along with his sister Natalie, may become the new leaders of the Lucian branch. Ian from Mission 1. Ian and Natalie have both become honorary Madrigals. In this mission, he guides you. And is also shown to have grown to be more adult and mentions various times to be with Sinead, Hamilton and Jonah. Ian arrives at the Cahill Command Centre and helps out. When he has had an encouter with Saladin, a cat that Amy had Dan inherited from Grace Cahill, he was said to have a scar that went from the corner of his eye to his chin. Ian instructs Dan and Amy to buy some new clothes. He rushes off to meet his mother, and then goes to South America looking for the Aid. Works. Wonders HQ. Ian returns to Attleboro. Evan Tolliver had been very suspicious at how he acts. He had been very cruel to Saladin and ended up having blood running down his face. Evan had overeacted at his presence and had grabbed a ping- pong paddle that Ian had accused of playing a game. He finally ended up having to feed Saladin red snapper on page 6. Amy strongly believes Vesper Three is Ian. Ian calls Amy in response to this. Amy ends the call, furious that Ian would betray Natalie. These suspicions were planted by Sinead Starling, who was the real Vesper Three. Sinead falsely told Amy that Ian was a Vesper Three suspect in order to attract attention away from herself. Amy says that she hates Ian. Amy calls Ian and apologises to him for thinking that he was the Vesper mole. He sends Amy and Dan a list of places his mother, Isabel Kabra has been to recently. Ian is captured by Cheyenne Wyoming (disguised as a waitress), along with Jonah, Phoenix, Hamilton and Evan. Casper Wyoming takes Ian to see his mother, who tells him to kill one of the hostages. However, he takes this as an opportunity to tell the hostages what the Vespers were doing. Ian grieved for Natalie after her death. After his mother, Isabel Kabra sees a picture of Natalie's dead body and Ian sobbing beside her, Isabel consumes the serum and has a change of heart, determined, like many others, to neutralize Vesper One. Ian helps Amy and Dan to stop J Rutherford Pierce. Ian helps the others find the ingredients to the antidote to the Serum. Ian travels to Guatemala to find the 2nd last ingredient to the Antidote. Ian helps Amy, Dan, Cara, Jake, Atticus, Jonah and Hamilton stop J. Rutherford Pierce from declaring his candidacy. At the end, he and Cara are named Cahill Leaders by Amy and Dan, who decide to retire. Ian and Cara move into Grace's House, Attleboro. Ian is thrown out of Grace's House by the Outcast, who challenges Ian and the Cahill leaders to stop his four disasters. |
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